![]() Each combinator can also use the other two combinators as a modulation source.įour new audio effects have been added, in the form of a rather excellent pitch shift delay, a multiband compressor, the BL-20 flanger, and Jun-6 Chorus derived from Arturia’s V Collection. As we said earlier, these give you a way of building a modulation source from others, with assignable behaviours for each, so you might take LFO 1 and LFO 2 as sources, then choose how they’ll combine (difference, multiplication, and so on). In the same way, a third combinator takes modulation into wild new areas. The oscillator presents a choice of waveforms, and each element - noises and oscillator - has its own filter mix and volume controls (two filters are shared by all engines).īeing able to stack up three of these engines leads to some profound sound design moments, the third engine enhancing what’s already an excellent sounding synth. The noises are based on a range of samples including machine noises, digital tones, and natural sounds such as forests and rain. ![]() You can even turn off the first two, and use Utility on its own, dialling up two different noise forms, and adding the oscillator and filters. ![]() The extensive preset library tells you everything you need to know about Pigments in general - excellent quality sounds, with depth and movement, more focused on blatantly being a synth rather than emulating real instruments, and many using the built-in arpeggiator and sequencer, which are always good with Arturia.Īs we’ve reviewed Pigments before, let’s focus on what’s new in version 3, starting with the Utility Engine, which is a third sound engine in its own right. From left to right, there are the preset browser, Synth, FX, and Seq tabs, a tips icon, and master volume.īelow that there are the tabs for three engines - 1, 2, and Utility - followed by a filter section, then a row of modulation controls, with more tabs, this time toggling views of an on-screen keyboard, envelopes, LFOs, functions (three complex modulation sources), randomisation, and combinators (another type of modulation source that combines two other modulation sources).įinally, at the lower right are four macro controls, and a button that enables MPE and displays some relevant options. It does not store any personal data.All of Pigments’ controls are contained in one panel, but some tab-clicking is required - inconvenient but not unusual for such a full-featured synth. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. ![]() The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Spark note changes, drop in slides and accents, and – of course – making that abrasive resonant filter scream. Steer the 303 sound into experimental territory with upgraded features & effects delivering sounds far darker, deeper, and more impactful than the original.ĭiscover a raw, biting, in-your-face analog sound that never stops moving.įusing the 303 sound with a cocktail of creative and experimental features, Acid V is all about launching a sequence and tweaking, mutating, evolving. The strobe-lit dance movements of the ‘80s, ‘90s, and early ‘00s share the same analog DNA now it’s yours to manipulate, reinvent, and transform. The magic silver box that defined acid, modeled down to component-level detail, capturing the pure sonic essence of a certified bass classic.Īcid V is all about movement instantly spawn jagged polymetric sequences, hypnotic scale-based patterns, and endless sonic mutations. Give your bass the acidic treatment and set off a sonic chain reaction that’ll heat up your mix to lethal levels. The abrasive, hypnotic sound that gets synapses firing and feet tapping unlike anything else. Pump your mixes full of reactive ever-evolving bass grooves, unleash mutated sequences fizzing with distortion, and experiment with extra features for revitalized rave energy. Acid V channels the cult-classic bass synth that pushed the underground into overdrive.
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